The first time I heard about Star Wars was also the first time I went to the cinema on my own. It was August 1977, I was eleven, and I had taken myself off to the Odeon on Brighton seafront to watch Sinbad and the Eye of the Tiger. Before it started, up came a trailer for a new film. I've looked for it on YouTube, but I'm pretty sure the one on there isn't the one I saw (I'm guessing there was an alternative trailer for the British market). For one thing, I distinctly remember a different cheesy tag line - "A Boy, a Girl, and a Galaxy of Adventure!" More importantly, the YouTube version starts off (rather oddly), 'Somewhere in space, this may all be happening Right Now...' but the most striking thing for me about the Star Wars trailer was that it wasn't happening 'right now', it was set, 'A long time ago, in a galaxy far, far away...'
Until that precise moment, I'd never liked Science Fiction. I was an anxious child, and SF stories seemed to be full of alien invasions, plagues, atomic wars and other Scary Stuff Which Might Actually Happen - I always carefully avoided them*. But if Star Wars was happening long ago and far away, I knew it was safe - as safe as the fantasy and history stories which I loved. So, watching the intriguing flurry of images flash by, I already knew that this was the film for me.
It wasn't for me yet, of course, because it didn't open in the UK until Christmas. But one wet Sunday that autumn I found this 'collector's edition' magazine in the news agent's at the end of Queen's Park Road
Heaven knows how I was able to afford it, since it cost 95 whole p, but somehow I found the money, and hurried home to pore over its collection of grainy stills and behind-the-scenes interviews. I particularly remember the Ralph McQuarrie production paintings, so beautiful and so oddly different from the final film, the gap between them hinting at the vast amounts of design effort which had gone into the models and costumes.
I also learned what the story was all about - it had been a complete mystery until then. By the time I actually got to see the film (February '78 - I think it was a birthday outing) I knew exactly what was going to happen, but I don't remember that spoiling my enjoyment. I was just delighted to see all the stuff I'd read about and seen in stills and drawings actually moving.
Like The Lord of the Rings, Star Wars created a whole world, and packed it with so much detail that it felt real. I was fascinated by the costumes and sets - by the Jawas' rusty sand crawler and the weird aliens half-glimpsed in the cantina. I was enough of a history geek even then to recognise some of the references in John Mollo's costume designs.**
My favourites were the Stormtroopers.Whose idea was it to make their plastic armour white? It seemed so un-military, but it worked. They looked like an army of skeletons, and their helmets - part gas mask, part stahlhelm, - are superb. The sequels and prequels kept throwing new stormtroopers into the mix, and the Force Awakens trailer shows some cool updated ones, but they're still not as cool or up-to-date as the originals, which I reckon are unimprovable.
It was also the classiest fantasy movie I'd ever seen. I was too young to spot the references to John Ford and Kurosawa, but I loved the lush Holst and Wagner borrowings of the John Williams score, and even I could see that Alec Guinness and Peter Cushing were in a different league to the rest of the cast. (Peter Cushing is a superb villain: I missed him in the second film, and when the Emperor himself turned up in the third, he wasn't remotely as impressive; he needed to be played by Vincent Price or Christopher Lee.)
Best of all were the desert landscapes of the film's opening half hour. Here was an imaginary world as spectacular as the ones which books conjured in my imagination. I loved the widescreen vistas of Tatooine, with its double sunsets and mud-brick spaceport. I always felt a bit sad when the Millennium Falcon finally blasts off into orbit. The grey colour palettes of the Death Star work well all the time they are being intercut with the browns and yellows of the desert scenes, but once the whole story move there something is lost; it turns into a lot of running around in corridors, and a certain desperation creeps into the action sequences (why does a brand new space station have a garbage compactor full of rusty metal where an actual underwater monster lives?). It picks up again afterwards, with the rebel base in the jungle temple and the final battle, but my favourite bit was always the desert.
|More Ralph McQuarrie concept art.|
|Queuing for Star Wars. Photo from flashbak.com|
Later that year I was on a beach in Guernsey, making a den out of bits of driftwood while my mum and dad sunbathed. I found a long strand of thick, frayed rope. As I dragged it across the sand to where my construction was taking shape, I looked down at it, and then up at the rocky cliffs, and imagined that it was the tail of one of those creatures which the Sand People in Star Wars use, and that I was riding one across the wastes of Tatooine. I had just turned twelve. It's the last time I can remember playing make-believe like that.
And after that, I sort of forgot about Luke Skywalker and co. But years later, when I started trying to write my own sci-fi/fantasy story, that Star Wars feeling was one of the things I was aiming for.
No sooner had I finished writing this than I noticed that Gareth Powell has also been inspired to write down his own Star Wars memories - you can find them here.
*The big SF movies of the 'seventies before Star Wars included things like Rollerball, Death Race 2000, Logan's Run, Damnation Alley and the Planet of the Apes sequels - not exactly sunny visions of the future.
**The historical reference points helped Star Wars to age much better than films which tried to look purely futuristic. When I caught it on TV in the mid-nineties the only things which had really dated were the men's hairstyles, and even they have probably been back in fashion since.