A big thank you to everyone who Tweeted, blogged, or shared the RAILHEAD cover on Facebook. I know it seems a bit early to be making all this song and dance about it (the book won't be published till October), but it's important to let booksellers and reviewers know it's coming, as well as giving advance warning to readers. The OUP rights team are at the Children's Book fair in Bologna this week, where they'll working their socks off trying to sell the rights to publishers from other countries. Tom Gates author Liz Pichon spotted the big RAILHEAD banner on the OUP stand at the fair...
Also a banner for Pugs of the Frozen North, my latest project with Sarah McIntyre. (Check out Liz's amazing, hand-drawn Tom Gates dress!)
Sarah has written an interesting piece for her blog about foreign publication deals, and some of the tricks she uses as a picture book illustrator to make the books translatable. It's well worth reading.
I'm still waiting for the results of OUP's Twitter competition to select 'RAILHEAD Ambassadors'. McIntyre clearly thinks she's in with a chance, and has designed a special ambassadoring hat for herself (plus Ferrero Rocher pin).
Hmmm.
Showing posts with label Railhead. Show all posts
Showing posts with label Railhead. Show all posts
RAILHEAD Unveiled!
Posted by Philip Reeve at 09:00 2 commentsHere it is! The cover for my new novel RAILHEAD, created by Holly Fulbrook, Jo Cameron and the design team at OUP.
I'm very pleased with the the way it's turned out. Usually I like a nice picture on a book cover, but RAILHEAD is set on a dozen different planets, and features thieves and androids, exiles and emperors, insects and intelligent trains. That's a lot to sum up in a single image, so I think this approach makes much more sense.
'RAILHEAD' is a word which jumped out of the text at me while I was writing and demanded to be the title, so it's great to finally see it written in large, friendly letters on the cover. After four or five years of work, it's starting to feel like a Real Book.
HOW YOU CAN HELP...
If you have a Twitter account and you'd like to help spread the word about RAILHEAD, all you need to do is:
1.Tweet an image of the cover and also change your avatar to the cover.
2. Tag your tweet #RAILHEAD
3. Tag @OUPChildrens
To download the cover on PC, right click the image and select 'Save Image As'.
On a Mac, hold 'ctrl' and click the image, and select 'Save Image As'.
Reeve & McIntyre 3: Pugs of the Frozen North
Posted by Philip Reeve at 18:22 3 comments
Just back from the Oxford University Press sales conference, where I was talking about Railhead, and also about the new Reeve and McIntyre book, which will be called...
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| Sarah McIntyre |
It's an everyday story of two children and a team of sixty-son a race to the North Pole, and I think it's going to be pug-tastic. The basic idea was Sarah's, and we came up with the story together, as usual. Here's the back cover...
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| Sarah McIntyre |
If you pop over to McIntyre's blog you can see some of the lovely interior artwork, which she's busy working on as we speak. The pugs will be arriving at a bookshop near you this September.
As for Railhead, the cover is still a SECRET, but I read a bit, and it seemed to go down well...
There's lots of other good stuff on the OUP list for this autumn. I particularly liked the look of SUPER HAPPY MAGIC FOREST, by Matty Long. It's a sort of picture-book fantasy quest parody, a full of elaborate, joke-packed pictures like this...
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| Matty Long |
And I also found that Matty Long has drawn a Mortal Engines picture!
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| Matty Long |
R A I L H E A D
Posted by Philip Reeve at 14:32 0 comments
I've spent the last few weeks finishing Railhead, which will be published by Oxford University Press next October. Here's what it looks like at the moment...
It's not really finished, of course, because it now has to be handed to a copy editor who will find lots of errors and inconsistencies which will need correcting or explaining away. But I've been reading it (via Skype) to Sarah McIntyre (who has been sworn to secrecy, of course) and it finally feels like a complete story.
In some ways Railhead is a return to the style of Mortal Engines - it's set in a sprawling, far-future civilization, and it has evolved from many different drafts, written over many years. But it's turned out to be less jokey than Mortal Engines, and somehow less English, I think - nobody could ever claim this one is 'steampunk'. And it's a much bigger world than Mortal Engines, so, although Railhead is going to be one of my longer books, there's still a lot which I haven't had a chance to explore yet. Once Christmas is out of the way I shall be looking into the possibilities of a sequel.
That's all I'm going to say about Railhead until nearer to the publication date, and I may not say very much then. I think one of the dangers of the internet is that we writers talk too much about our books, happily explaining where all the ideas came from, what the influences were. Part of the pleasure of reading a book is working those things out for yourself!
It's not really finished, of course, because it now has to be handed to a copy editor who will find lots of errors and inconsistencies which will need correcting or explaining away. But I've been reading it (via Skype) to Sarah McIntyre (who has been sworn to secrecy, of course) and it finally feels like a complete story.
![]() |
| Illustration: Sarah McIntyre |
In some ways Railhead is a return to the style of Mortal Engines - it's set in a sprawling, far-future civilization, and it has evolved from many different drafts, written over many years. But it's turned out to be less jokey than Mortal Engines, and somehow less English, I think - nobody could ever claim this one is 'steampunk'. And it's a much bigger world than Mortal Engines, so, although Railhead is going to be one of my longer books, there's still a lot which I haven't had a chance to explore yet. Once Christmas is out of the way I shall be looking into the possibilities of a sequel.
That's all I'm going to say about Railhead until nearer to the publication date, and I may not say very much then. I think one of the dangers of the internet is that we writers talk too much about our books, happily explaining where all the ideas came from, what the influences were. Part of the pleasure of reading a book is working those things out for yourself!
















